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The World's Great Men of Music - Story-Lives of Master Musicians by Harriette Brower
page 25 of 308 (08%)
Halle and to his old master, who was happy to have him back once more.

Not long after this the boy's father passed away, and as there was but
little money left for the mother, her son decided at once that he must
support himself and not deprive her of her small income. He acted as
deputy organist at the Cathedral and Castle of Halle, and a few years
later, when the post was vacant, secured it at a salary of less
than forty dollars a year and free lodging. George Frederick was now
seventeen and longed for a broader field. Knowing that he must leave
Halle to find it, he said good-by to his mother, and in January 1703,
set out for Hamburg to seek his fortune.

The Opera House Orchestra needed a supplementary violin. It was a very
small post, but he took it, pretending not to be able to do anything
better. However a chance soon came his way to show what he was capable
of. One day the conductor, who always presided at the harpsichord, was
absent, and no one was there to take his place. Without delay George
came forward and took his vacant seat. He conducted so ably, that he
secured the position for himself.

The young musician led a busy life in Hamburg, filled with teaching,
study and composition. As his fame increased he secured more pupils,
and he was not only able to support himself, but could send some money
to his mother. He believed in saving money whenever he could; he knew
a man should not only be self supporting, but somewhat independent, in
order to produce works of art.

Handel now turned his attention to opera, composing "Almira, Queen of
Castile," which was produced in Hamburg early in January 1705. This
success encouraged him to write others; indeed he was the author of
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