in such style that it would not grow old, at least not for a long
time. He had taken the greatest pains in composing it, and declared
that if it were not properly rehearsed at the Opera he would not let
them have it at all, but would retain the work himself for his own
pleasure. He wrote to a friend: "I have put forth what little strength
is left in me, into 'Armide'; I confess I should like to finish my
career with it."

It is said the Gluck composed "Armide" in order to praise the beauty
of Marie Antoinette, and she for her part showed the deepest interest
in the success of the piece, and really "became quite a slave to
it." Gluck often told her he "rearranged his music according to the
impression it made upon the Queen."

"Great as was the success of 'Armide,'" wrote the Princess de
Lamballe, "no one prized this beautiful work more highly than the
composer of it. He was passionately enamored of it; he told the Queen
the air of France had rejuvenated his creative powers, and the sight
of her majesty had given such a wonderful impetus to the flow
of ideas, that his composition had become like herself, angelic,
sublime."

The growing success of "Armide" only added fuel to the flame of
controversy which had been stirred up. To cap the climax, Piccini
had finished his opera, which was duly brought out and met with a
brilliant reception. Indeed its success was greater than that won by
"Armide," much to the delight of the Piccinists. Of course the natural
outcome was that the other party should do something to surpass the
work of their rivals. Marie Antoinette was besought to prevail on
Gluck to write another opera.