Good fortune followed him on his return to Vienna. More pupils came,
until he was able to raise his prices and move into better lodgings.
A wealthy patron of music, the Countess of Thun, sent for him to come
and see her. She had heard one of his clavier sonatas played, found
it charming and wished to see the composer. Her manner was so
sympathetic, that Haydn was led to tell her the story of his
struggles. Tears came into her eyes as she listened. She promised her
support as friend and pupil, and Haydn left her with a happy, grateful
heart.

His compositions were heard in the best musical circles in Vienna, and
the future was bright with promise. A wealthy music patron persuaded
him to write a string quartet, the first of many to follow. Through
this man he received, in 1759, an appointment of music director to a
rich Bohemian, Count Morzin, who had a small orchestra at his country
seat. In the same year the first Symphony was composed.

As brighter days dawned, Haydn procured all the works on theory
obtainable, and studied them deeply. He had mastered the difficulties
of the "Gradus," one of the books purchased years before, and without
any outside help had worked out his musical independence, uninfluenced
by any other musician. He was now twenty-six, and his fame was
growing. Meanwhile an affair of the heart had great influence on his
life. Sometime previously Haydn had been engaged to give lessons
on the harpsichord to two daughters of a wig-maker named Keller. An
attachment soon sprang up between the teacher and the younger of the
girls. His poverty had stood in the way of making his feelings known.
But as prosperity began to dawn, he grew courageous and asked the
maiden to become his wife. His disappointment was keen when he found
the girl had in the meantime decided to take the veil. The wig-maker