The Romantic by May Sinclair
page 162 of 208 (77%)
page 162 of 208 (77%)
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as it would keep the others from knowing, so long as John's awfulness
went beyond their knowledge, so long as it would do any good to John, she would lie. Her time had come. She remembered saying that. She could hear herself talking to John at Barrow Hill Farm: "Everybody's got their breaking point.... I daresay when my time comes I shall funk and lie." Well, didn't she? Funk--the everlasting funk of wondering what John would do next; and lying, lying at every turn to save him. _He_ was her breaking point. She had lied, the first time they went out, about the firing. She wondered whether she had done it because then, even then, she had been afraid of his fear. Hadn't she always somehow, in secret, been afraid? She could see the car coming round the corner by the Church in the narrow street at Stow, she could feel it grazing her thigh, and John letting her go, jumping safe to the curb. She had pretended that it hadn't happened. But that first day--No. He had been brave then. She had only lied because she was afraid he would worry about her.... Brave then. Could war tire you and wear you down, and change you from yourself? In two weeks? Change him so that she had to hate him! Half the night she lay awake wondering: Do I hate him because he doesn't care about me? Or because he doesn't care about the wounded? She could see all their faces: the face of the wounded man at Melle (_he_ had crawled out on his hands and knees to look for her); the face of the dead boy who hadn't died when John left him; the Flamand they brought from Lokeren, lying in the road; the face of the dead man in the shed--And |
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