his birthplace. At last Bernard was advised to go to the Mayor's
office, where he would find an electoral list. Among the voters he
discovered a Paul Cézanne, who was born January 19, 1839, who lived at
25 Rue Boulegon. Bernard lost no time and reached a simple dwelling
house with the name of the painter on the door. He rang. The door
opened. He entered and mounted a staircase. Ahead of him, slowly
toiling upward, was an old man in a cloak and carrying a portfolio. It
was Cézanne. After he had explained the reason for his visit, the old
painter cried: "You are Emile Bernard! You are a maker of biographies!
Signac"--an impressionist--"told me of you. You are also a painter?"
Bernard, who had been painting for years, and was a friend of Signac,
was nonplussed at his sudden literary reputation, but he explained the
matter to Cézanne, who, however, was in doubt until he saw later the
work of his admirer.

He had another atelier a short distance from the town; he called it
"The Motive." There, facing Mount Sainte-Victoire, he painted every
afternoon in the open; the majority of his later landscapes were
inspired by the views in that charming valley. Bernard was so glad to
meet Cézanne that he moved to Aix.

In Cézanne's studio at Aix Bernard encountered some extraordinary
studies in flower painting and three death heads; also monstrous
nudes, giant-like women whose flesh appeared parboiled. On the streets
Cézanne was always annoyed by boys or beggars; the former were
attracted by his bohemian exterior and to express their admiration
shouted at him or else threw stones; the beggars knew their man to be
easy and were rewarded by small coin. Although Cézanne lived like a
bachelor, his surviving sister saw that his household was comfortable.
His wife and son lived in Paris and often visited him. He was rich;