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Blackwood's Edinburgh Magazine — Volume 55, No. 339, January, 1844 by Various
page 80 of 314 (25%)

[1] This work is now lost, and we know it only by the abstract
given by Photius in the passage quoted.

The period of time at which the adventures of _Clitophon and Leucippe_
are supposed to take place, appears to be in the later ages of Grecian
independence, when the successors of Alexander reigned in Syria and
Egypt, and the colonized cities in Thrace and Asia Minor still
preserved their municipal liberties. The story is related in the first
person by the hero himself; a mode of narration which, though the best
adapted for affording scope to the expression of the feelings of the
principal personages, is, in this instance, very awkwardly introduced.
A stranger, while contemplating a famous picture of the Rape of Europa
in the Temple of Astarte at Sidon, is accosted by a young man, who,
after a few incidental remarks, proceeds, without further preface, to
recount his adventures at length to this casual acquaintance. This
communicative gentleman is, of course, Clitophon; but before we
proceed to the narrative of his loves and woes, we shall give a
specimen of the author's powers in the line which appears to be his
forte, by quoting his description of the painting above referred
to:--"On entering the temple, my attention was attracted by a picture
representing the story of Europa, in which sea and land were
blended--the Phoenician Sea and the coasts of Sidon. On the land was
seen a band of maidens in a meadow, while in the sea a bull was
swimming, who bore on his shoulders a beautiful virgin, and was making
his way in the direction of Crete. The meadow was decked with a
profusion of bright flowers, to which a grateful shelter was afforded
by the dense overhanging foliage of the shrubs and clumps of trees,
which were interspersed at intervals throughout its extent; while so
skilfully had the artist represented the appearance of light and
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