In the Footprints of the Padres by Charles Warren Stoddard
page 82 of 224 (36%)
page 82 of 224 (36%)
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occasion I watched with breathless anxiety and dumb amazement a man,
who seemed to have discarded every garment common to the race, wheel a wheelbarrow with a grooved wheel up a tight rope stretched from the ground to the outer peak of the pavilion; and all the time there was a man in the wheelbarrow who seemed paralyzed with fright,--as no doubt he was. The man who wheeled the barrow was the world-famous Blondin. [Illustration: Russ Gardens, 1856] Another sylvan retreat was known as "The Willows." There were some willows there, but I fear they were numbered; and there was an _al fresco_ theatre such as one sees in the Champs-Elysées; indeed, the place had quite a Frenchy atmosphere, and was not at all German, as was Russ' Garden. French singers sang French songs upon the stage--it was not much larger than a sounding-board. An air of gaiety prevailed; for I imagine the majority of the _habitués_ were from the French Quarter of the city. Of course there were birds and beasts, and cages populous with monkeys; and there was an emeu--the weird bird that can not fly, the Australian cassowary. This bird inspired Bret Harte to song, and in his early days he wrote "The Ballad of the Emeu"; O say, have you seen at the willows so green, So charming and rurally true, A singular bird, with the manner absurd, Which they call the Australian emeu? Have you Ever seen this Australian emeu? |
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