and Perdita in _The Winter's Tale_, and quite takes place between
Olivia and Sebastian in _Twelfth Night_. The custom of troth-plight
was much used in that age, and for a long time after. In some places
it had the force and effect of an actual marriage. Serious evils,
however, sometimes grew out of it; and the Church of England did
wisely, no doubt, in uniting the troth-plight and the marriage in one
and the same ceremony. Whether such solemn betrothment had or had not
taken place between William Shakespeare and Anne Hathaway, it is
certain from the parish register that they had a daughter, Susanna,
baptized on the 26th of May, 1583.

Some of the Poet's later biographers and critics have supposed he was
not happy in his marriage. Certain passages of his plays, especially
the charming dialogue between the Duke and the disguised Viola in Act
ii., scene 4, of _Twelfth Night_, have been cited as involving some
reference to the Poet's own case, or as having been suggested by what
himself had experienced of the evils resulting from the wedlock of
persons "misgraffed in respect of years." There was never any thing
but sheer conjecture for this notion. Rowe mentions nothing of the
kind; and we may be sure that his candour would not have spared the
Poet, had tradition offered him any such matter. As for the passages
in question, I know no reason for excepting them from the acknowledged
purity and disinterestedness of the Poet's representations; where
nothing is more remarkable, or more generally commended, than his
singular aloofness of self; his perfect freedom from every thing
bordering upon egotism.

Our Mr. White is especially hard upon the Poet's wife, worrying up the
matter against her, and fairly tormenting the poor woman's memory. Now
the facts about the marriage are just precisely as I have stated them.