Shakespeare: His Life, Art, And Characters, Volume I. - With An Historical Sketch Of The Origin And Growth Of The Drama In - England by H. N. Hudson
page 38 of 547 (06%)
page 38 of 547 (06%)
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As brandish'd at the eyes of ignorance."
There can be little doubt, though we have no certain knowledge on the point, that by this time the Poet's genius had sweetened itself into the good graces of Queen Elisabeth; as the irresistible compliment paid her in a _A Midsummer-Night's Dream_ could hardly have been of a later date. It would be gratifying to know by what play he made his first conquest of the Queen. That he did captivate her, is told us in Ben Jonson's poem just quoted: "Sweet swan of Avon, what a sight it were To see thee in our waters yet appear; And make those flights upon the banks of Thames That so did take Eliza and our James!" _King John, King Richard the Second, King Richard the Third, A Midsummer-Night's Dream_, and the original form of _All's Well that Ends Well_, were, no doubt, all written before the Spring of 1596. So that these five plays, and perhaps one or two others, in addition to the ten mentioned before, may by that time have been performed in her Majesty's hearing, "as well for the recreation of our loving subjects as for our solace and pleasure." Aubrey tells us that Shakespeare "was wont to go to his native country once a year." We now have better authority than Aubrey for believing that the Poet's heart was in "his native country" all the while. No sooner is he well established at London, and in receipt of funds to spare from the demands of business, than we find him making liberal investments amidst the scenes of his youth. Some years ago, Mr. Halliwell discovered in the Chapter-House, Westminster, a document |
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