Latins; so Shakespeare among the English is the most excellent in both
kinds for the stage." The writer then instances twelve of the Poet's
dramas by title, in proof of his point. His list, however, contains
none but what I have already mentioned, except _The Merchant of
Venice_. Taking all our sources of information together, we find at
least eighteen of the plays written before 1598, when the Poet was
thirty-four years of age, and had probably been in the theatre about
twelve years.

Shakespeare was now decidedly at the head of the English Drama;
moreover, he had found it a low, foul, disreputable thing, chiefly in
the hands of profligate adventurers, and he had lifted it out of the
mire, breathed strength and sweetness into it, and made it clean,
fair, and honourable, a structure all alive with beauty and honest
delectation. Such being the case, his standing was naturally firm and
secure; he had little cause to fear rivalry, he could well afford to
be generous; and any play that had his approval would be likely to
pass. Ben Jonson, whose name has a peculiar right to be coupled with
his, was ten years younger than he, and was working with that learned
and sinewy diligence which marked his character. We have it on the
sound authority of Rowe, that Shakespeare lent a helping hand to
honest Ben, and on an occasion that does credit to them both. "Mr.
Jonson," says he, "who was at that time altogether unknown to the
world, had offered one of his plays to the players, in order to have
it acted; and the persons into whose hands it was put, after having
turned it carelessly and superciliously over, were just upon returning
it to him, with an ill-natured answer that it would be of no service
to their company, when Shakespeare luckily cast his eye upon it, and
found something in it so well, as to engage him first to read it
through, and afterwards to recommend Mr. Jonson and his writings to