Punch, or the London Charivari, Volume 100, May 30, 1891 by Various
page 17 of 43 (39%)
page 17 of 43 (39%)
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ladies who go about together as a perpetual trio, suggest the notion
of a light and airy version, feminine gender, of the three Anabaptists in the _Prophète_. M. ISNARDON as _Des Grieux, père_, a character that might be operatically nearly related to _Germont, père_, in _La Traviata_, was impressively dramatic, but decidedly disappointing in his one great song, which ought to be a certain _encore_. It may be true that an opera intended for a small stage does not stand a fair chance of success on a large one, and _vice versâ_, as no doubt the LORD MAYOR's coach provided by DRURIOLANUS SHERIFFUS for the occasion would look absurd on the stage of the Opéra Comique, while here when it comes round to the gate to fetch _Des Grieux_, it creates as great a sensation as ever it would do in the Strand on the Ninth of November, even with the Sheriff inside it. [Illustration: Rehearsing for an amateur performance of the Christy Minstrels, under the direction of Count Four-in-a-bar. "Now then, Gentlemen, all together!"] _Wednesday._--Speaking as an opera-goer of some thirty years' sitting, I am inclined to assert that the performance last Wednesday of _Les Huguenots_ beats the record, as will be allowed by all whose memory runneth not to the contrary, "nevertheless" and "notwithstanding" being included. Except MARIO, as _Raoul_, and some add, except DORUS GRAS as the Queen, never was seen and heard so fine a performance as is this to-night; and this deponent witnesseth that no such _ensemble_ has ever been seen for this really grand Opera. Strange to hear sweet little _Manon_ one night, and the next these overpowering _Huguenots_. It is well worth the while, in _Mr. Punch's_ pages, to record this exceptionally brilliant cast. First, Madame ALBANI for the heroine _Valentina_, superb alike in singing and in acting; GIULIA RAVOGLI as |
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