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Punch, or the London Charivari, Volume 100, May 30, 1891 by Various
page 17 of 43 (39%)
ladies who go about together as a perpetual trio, suggest the notion
of a light and airy version, feminine gender, of the three Anabaptists
in the _Prophète_. M. ISNARDON as _Des Grieux, père_, a character
that might be operatically nearly related to _Germont, père_, in _La
Traviata_, was impressively dramatic, but decidedly disappointing in
his one great song, which ought to be a certain _encore_. It may be
true that an opera intended for a small stage does not stand a fair
chance of success on a large one, and _vice versâ_, as no doubt the
LORD MAYOR's coach provided by DRURIOLANUS SHERIFFUS for the occasion
would look absurd on the stage of the Opéra Comique, while here when
it comes round to the gate to fetch _Des Grieux_, it creates as
great a sensation as ever it would do in the Strand on the Ninth of
November, even with the Sheriff inside it.

[Illustration: Rehearsing for an amateur performance of the Christy
Minstrels, under the direction of Count Four-in-a-bar. "Now then,
Gentlemen, all together!"]

_Wednesday._--Speaking as an opera-goer of some thirty years' sitting,
I am inclined to assert that the performance last Wednesday of _Les
Huguenots_ beats the record, as will be allowed by all whose memory
runneth not to the contrary, "nevertheless" and "notwithstanding"
being included. Except MARIO, as _Raoul_, and some add, except DORUS
GRAS as the Queen, never was seen and heard so fine a performance as
is this to-night; and this deponent witnesseth that no such _ensemble_
has ever been seen for this really grand Opera. Strange to hear sweet
little _Manon_ one night, and the next these overpowering _Huguenots_.
It is well worth the while, in _Mr. Punch's_ pages, to record this
exceptionally brilliant cast. First, Madame ALBANI for the heroine
_Valentina_, superb alike in singing and in acting; GIULIA RAVOGLI as
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