Since Cézanne by Clive Bell
page 13 of 166 (07%)
page 13 of 166 (07%)
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To the young painters of 1904, or thereabouts, Cézanne came as the
liberator: he it was who had freed painting from a mass of conventions which, useful once, had grown old and stiff and were now no more than so many impediments to expression. To most of them his chief importance--as an influence, of course--was that he had removed all unnecessary barriers between what they felt and its realization in form. It was his directness that was thrilling. But to an important minority the distortions and simplifications--the reduction of natural forms to spheres, cylinders, cones, etc.--which Cézanne had used as means were held to be in themselves of consequence because capable of fruitful development. From them it was found possible to deduce a theory of art--a complete æsthetic even. Put on a fresh track by Cézanne's practice, a group of gifted and thoughtful painters began to speculate on the nature of form and its appeal to the æsthetic sense, and not to speculate only, but to materialize their speculations. The greatest of them, Picasso, invented Cubism. If I call these artists who forged themselves a theory of form and used it as a means of expression Doctrinaires it is because to me that name bears no disparaging implication and seems to indicate well enough what I take to be their one common characteristic: if I call those who, without giving outward sign (they may well have had their private speculations and systems) of an abstract theory, appeared to use distortion when, where, and as their immediate sensibility dictated, Fauves, that is because the word has passed into three languages, is admirably colourless--for all its signifying a colour--and implies the existence of a group without specifying a peculiarity. Into Doctrinaires--Theorists if you like the word better--and Fauves the first generation of Cézanne's descendants could, I feel sure, be divided; whether such a division would serve any useful purpose is another matter. What I am sure of is that to have two such labels, to be applied when occasion requires and cancelled without |
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