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Since Cézanne by Clive Bell
page 13 of 166 (07%)
To the young painters of 1904, or thereabouts, Cézanne came as the
liberator: he it was who had freed painting from a mass of conventions
which, useful once, had grown old and stiff and were now no more than so
many impediments to expression. To most of them his chief importance--as
an influence, of course--was that he had removed all unnecessary
barriers between what they felt and its realization in form. It was
his directness that was thrilling. But to an important minority the
distortions and simplifications--the reduction of natural forms to
spheres, cylinders, cones, etc.--which Cézanne had used as means were
held to be in themselves of consequence because capable of fruitful
development. From them it was found possible to deduce a theory of
art--a complete æsthetic even. Put on a fresh track by Cézanne's
practice, a group of gifted and thoughtful painters began to speculate
on the nature of form and its appeal to the æsthetic sense, and not to
speculate only, but to materialize their speculations. The greatest
of them, Picasso, invented Cubism. If I call these artists who forged
themselves a theory of form and used it as a means of expression
Doctrinaires it is because to me that name bears no disparaging
implication and seems to indicate well enough what I take to be their
one common characteristic: if I call those who, without giving outward
sign (they may well have had their private speculations and systems) of
an abstract theory, appeared to use distortion when, where, and as their
immediate sensibility dictated, Fauves, that is because the word has
passed into three languages, is admirably colourless--for all its
signifying a colour--and implies the existence of a group without
specifying a peculiarity. Into Doctrinaires--Theorists if you like the
word better--and Fauves the first generation of Cézanne's descendants
could, I feel sure, be divided; whether such a division would serve any
useful purpose is another matter. What I am sure of is that to have two
such labels, to be applied when occasion requires and cancelled without
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