In the window recess behind are shields and horns. In the next enclosure
are three foot figures of the end of the fifteenth century and
commencement of the sixteenth century; the first holds a long-handled
axe as used for encounters on foot in _champ clos_. The second
holds a two-handled sword. The third suit is enriched with engraving,
and was formerly parcel gilt, but the helmet does not belong to the
suit.

In the centre of the room is an equestrian figure (III), the man wearing
a fine early sixteenth-century suit of armour, bearing the Nuremberg
stamp, and the horse protected by a barb richly repoussé, engraved, and
formerly silvered. The designs on this display the Burgundian cross
ragulé and the flint and steel. The steel or briquet is to be seen also
in the hinges and in the metal coverings for the reins. It will be
remembered that this design forms the _motif_ of the collar of the
Golden Fleece.

The next equestrian figure (IV) shows the fluted, or as it was called
crested, armour, of about 1500. The horse armour is also fluted. On the
right, in the centre of the room, are two armours which belonged to
Henry VIII. Of these the first (XXVIII) is that formerly described as
"rough from the hammer," though it has been milled or _glazed_ and
no hammer marks are visible. It is a complete suit for fighting on
foot in the lists, and comfort and ability to move about, have been
sacrificed to perfect protection. The suit weighs about 93 lbs., and
is composed of no less than 235 separate pieces of metal. Some details
of construction point to a Spanish influence in the style. The second
figure (XXIX), which wants the leg armour, is of the kind known as a
tonlet, and has a skirt of horizontal lames engraved. The helmet bears