leads, and so on; while, if set solidly in its medium-sized type,
there are 18,800 pieces in one column, or about 113,000 in a page, or
about 1,354,000 in one of its ordinary 12-page issues. A 32-page
Sunday issue of the New York _Herald_ contains nearly, if not quite,
2,500,000 distinct types and other pieces of metal, each of which must
be separately handled between thumb and finger twice--once put into
the case and once taken out of it--each issue of the paper. No one
inexperienced in this delicate work has the slightest conception of
the intensity of attention, fixity of eye, deftness of touch,
readiness of intelligence, exhaustion of vitality, and destruction of
brain and nerve which enters into the daily newspaper from
type-setters alone.

Each type is marked upon one side by slight nicks, by sight and touch
of which the compositor is guided in rapidly placing them right side
up in the line. They are taken, one by one, between thumb and
forefinger, while the mind not only spells out each word, but is
always carrying phrases and whole sentences ahead of the fingers, and
each letter, syllable and word is set in its order in lines in the
composing stick, each line being spaced out in the stick so as to
exactly fit the column width, this process being repeated until the
stick is full. Then the stickful is emptied upon a galley. Then, when
the page or the paper is "up," as the printers phrase it, the galleys
are collected, and the foreman makes up the pages, article by article,
as they come to us in the printed paper--the preliminary processes of
printing proofs from the galleys, reading them by the proof readers,
who mark the errors, and making the corrections by the compositors
(each one correcting his own work), having been quietly and swiftly
going on all the while. The page is made up on a portable slab of
iron, upon which it is sent to the stereotyping room. There wet