buttresses of Saint-Gatien, which have their base in the narrow little
garden of the house, leaving it doubtful whether the cathedral was
built before or after this venerable dwelling. An archaeologist
examining the arabesques, the shape of the windows, the arch of the
door, the whole exterior of the house, now mellow with age, would see
at once that it had always been a part of the magnificent edifice with
which it is blended.

An antiquary (had there been one at Tours,--one of the least literary
towns in all France) would even discover, where the narrow street
enters the Cloister, several vestiges of an old arcade, which formerly
made a portico to these ecclesiastical dwellings, and was, no doubt,
harmonious in style with the general character of the architecture.

The house of which we speak, standing on the north side of the
cathedral, was always in the shadow thrown by that vast edifice, on
which time had cast its dingy mantle, marked its furrows, and shed its
chill humidity, its lichen, mosses, and rank herbs. The darkened
dwelling was wrapped in silence, broken only by the bells, by the
chanting of the offices heard through the windows of the church, by
the call of the jackdaws nesting in the belfries. The region is a
desert of stones, a solitude with a character of its own, an arid
spot, which could only be inhabited by beings who had either attained
to absolute nullity, or were gifted with some abnormal strength of
soul. The house in question had always been occupied by abbes, and it
belonged to an old maid named Mademoiselle Gamard. Though the property
had been bought from the national domain under the Reign of Terror by
the father of Mademoiselle Gamard, no one objected under the
Restoration to the old maid's retaining it, because she took priests
to board and was very devout; it may be that religious persons gave