FOR THE BENEFIT OF ZOILUS.

SHAKSPEARE speaks of "the maiden virtue of the Crown." And the word
"maiden" bears, in certain constructions, the meanings, "fresh, new,
youthful, &c." But when _Mr. Punch_, comparing generally "Fifty Years
Syne" with To-day, says:--

"Then HER MAJESTY, a Maiden Queen, fresh graced the Throne,"

"A SEPTUAGENARIAN" acidly objects, and twits _Mr. Punch_ with
premature failure of memory. "Aha! I know that man!" says _Mr. P._
_Mr. Punch_, of course, merely meant that about fifty years ago HER
MAJESTY was a very youthful Sovereign. Moreover, the comparison made
between "Then and Now" was not intended to be confined rigorously to
"July 17, 1841," as is shown in the previous stanza, which says:--

"Then TOM HOOD could sing that Song which moved a world to tears,"

meaning "_The Song of the Shirt_," which, as explained in a footnote,
was not published until 1843. Had _Mr. Punch_ written with the fear of
ZOILUS before his eyes, he might have appended _another_ foot-note, to
explain--for the benefit of ZOILUS--that he did _not_ mean to convey
the idea that HER MAJESTY was unmarried when _he_ first made his
appearance. Whereto the reply of the Public--all but ZOILUS--would
probably have been, "Whoever supposed you _did_?"

* * * * *

"THEN YOU'LL REMEMBER ME!"--Among the names of those who, within the