A History of Pantomime by R. J. Broadbent
page 15 of 185 (08%)
page 15 of 185 (08%)
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verse of Genesis, of Jubal-Cain, we learn that "He was the father of all
such as handle the harp and organ"; and in the following verse, Tubal-Cain is described as "An instructor of every artificer in brass and iron." We learn, also, that magnificent statues were made in Egypt some six thousand years ago; and that mention is made of a statue of King Cephren, said to have been chiselled about this period, and many learned men also affirm that letters were known to the inhabitants of the Antediluvian world. All this, however, hardly looks like the work of a barbarous race, and points to an acquaintance with the Arts, at any rate of Music and Sculpture, and that of the artificers and workers in brass and iron. To follow, for my subject, this reasoning a little further, if there was music (which, doubtless, there was) there must also have been dancing, and, if dancing, there must, in the Antediluvian age, as a form of entertainment, have also been Pantomime. On the other hand, even supposing that man, at this period, was nothing else but a complete savage, the words of Darwin, that I have quoted on a previous page, conclusively proves, I think (on a common-sense like basis), of the existence of dancing, a rude form of music, and, of course, Pantomime at this epoch. Ingersoll's doctrine was that "The distance from savagery to Shakespeare must be measured not by hundreds, but by millions, of years." Finally, why, and for what reason, should the Lord God, in His all-seeing goodness and mercy, punish the inhabitants of the Antediluvian world if they were only poor unenlightened savages? Was it |
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