that had been done. His other valuables, the gold and the jewels, he did
not so much regret; but it was monstrous that he should be robbed of the
gift that he destined for the altar of the tutelary god of Rome.

The Sicilian cities were not better able to protect their possessions
than were private individuals. Segesta was a town that had early ranged
itself on the side of the Romans, with whom its people had a legendary
relationship. (The story was that Aeneas on his way to Italy had left
there some of his followers, who were unwilling any longer to endure the
hardships of the journey.) In early days it had been destroyed by the
Carthaginians, who had carried off all its most valuable possessions,
the most precious being a statue of Diana, a work of great beauty and
invested with a peculiar sacredness. When Carthage fell, Scipio its
conqueror restored the spoils which had been carried off from the cities
of Sicily. Among other things Agrigentum had recovered its famous bull
of brass, in which the tyrant Phalaris had burned, it was said, his
victims. Segesta was no less fortunate than its neighbors, and got back
its Diana. It was set on a pedestal on which was inscribed the name of
Scipio, and became one of the most notable sights of the island. It was
of a colossal size, but the sculptor had contrived to preserve the
semblance of maidenly grace and modesty. Verres saw and coveted it. He
demanded it of the authorities of the town and was met with a refusal.
It was easy for the governor to make them suffer for their obstinacy.
All their imposts were doubled and more than doubled. Heavy requisitions
for men and money and corn were made upon them. A still more hateful
burden, that of attending the court and progresses of the governor was
imposed on their principal citizens. This was a contest which they
could not hope to wage with success. Segesta resolved that the statue
should be given up. It was accordingly carried away from the town, all
the women of the town, married and unmarried, following it on its