The Drama by Henry Brodribb Irving
page 11 of 90 (12%)
page 11 of 90 (12%)
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productive; if the noble fascination of the theatre draws to it, as we
know that it does, an immortal poet such as our Tennyson, whom, I can testify from my own experience, nothing delights more than the success of one of the plays which, in the mellow autumn of his genius, he has contributed to the acting theatre; if a great artist like Tadema is proud to design scenes for stage plays; if in all departments of stage production we see great talent, and in nearly every instance great good taste and sincere sympathy with the best popular ideals of goodness; then, I say, the stage is entitled to be let alone--that is, it is entitled to make its own bargain with the public without the censorious intervention of well-intentioned busybodies. These do not know what to ban or to bless. If they had their way, as of course they cannot, they would license, with many flourishes and much self-laudation, a number of pieces which would be hopelessly condemned on the first hearing, and they would lay an embargo for very insufficient reasons on many plays well entitled to success. It is not in this direction that we must look for any improvement that is needed in the purveying of material for the stage. Believe me, the right direction is public criticism and public discrimination. I say so because, beyond question, the public will have what they want. So far, that managers in their discretion, or at their pleasure, can force on the public either very good or very bad dramatic material is an utter delusion. They have no such power. If they had the will they could only force any particular sort of entertainment just as long as they had capital to expend without any return. But they really have not the will. They follow the public taste with the greatest keenness. If the people want Shakespeare--as I am happy to say they do, at least at one theatre in London, and at all the great theatres out of London, to an extent unprecedented in the history of the stage--then they get Shakespeare. If they want our modern dramatists--Albery, Boucicault, |
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