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The Drama by Henry Brodribb Irving
page 11 of 90 (12%)
productive; if the noble fascination of the theatre draws to it, as we
know that it does, an immortal poet such as our Tennyson, whom, I can
testify from my own experience, nothing delights more than the success
of one of the plays which, in the mellow autumn of his genius, he has
contributed to the acting theatre; if a great artist like Tadema is
proud to design scenes for stage plays; if in all departments of stage
production we see great talent, and in nearly every instance great
good taste and sincere sympathy with the best popular ideals of
goodness; then, I say, the stage is entitled to be let alone--that
is, it is entitled to make its own bargain with the public without the
censorious intervention of well-intentioned busybodies. These do not
know what to ban or to bless. If they had their way, as of course
they cannot, they would license, with many flourishes and much
self-laudation, a number of pieces which would be hopelessly
condemned on the first hearing, and they would lay an embargo for very
insufficient reasons on many plays well entitled to success. It is not
in this direction that we must look for any improvement that is needed
in the purveying of material for the stage. Believe me, the right
direction is public criticism and public discrimination. I say so
because, beyond question, the public will have what they want. So far,
that managers in their discretion, or at their pleasure, can force on
the public either very good or very bad dramatic material is an utter
delusion. They have no such power. If they had the will they could
only force any particular sort of entertainment just as long as they
had capital to expend without any return. But they really have not the
will. They follow the public taste with the greatest keenness. If the
people want Shakespeare--as I am happy to say they do, at least at one
theatre in London, and at all the great theatres out of London, to
an extent unprecedented in the history of the stage--then they get
Shakespeare. If they want our modern dramatists--Albery, Boucicault,
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