After all, the best and most convincing exposition of the whole art
of acting is given by Shakespeare himself: "To hold, as 'twere, the
mirror up to nature, to show virtue her own feature, scorn her own
image, and the very age and body of the time his form and pressure."
Thus the poet recognized the actor's art as a most potent ally in the
representation of human life. He believed that to hold the mirror up
to nature was one of the worthiest functions in the sphere of labor,
and actors are content to point to his definition of their work as the
charter of their privileges.




III.

PRACTICE OF THE ART.


The practice of the art of acting is a subject difficult to treat with
the necessary brevity. Beginners are naturally anxious to know what
course they should pursue. In common with other actors, I receive
letters from young people many of whom are very earnest in their
ambition to adopt the dramatic calling, but not sufficiently alive to
the fact that success does not depend on a few lessons in declamation.
When I was a boy I had a habit which I think would be useful to all
young students. Before going to see a play of Shakespeare's I used to
form--in a very juvenile way--a theory as to the working out of the
whole drama, so as to correct my conceptions by those of the actors;
and though I was, as a rule, absurdly wrong, there can be no doubt