logical that while genius is its own law in the pursuit of a noble
art, all inferior merit or ambition is to be deterred from the same
path by appalling pictures of its temptations.

If our art is worth anything at all, it is worth the honest,
conscientious self-devotion of men and women who, while they may not
achieve fame, may have the satisfaction of being workers in a calling
which does credit to many degrees of talent. We do not claim to be
any better than our fellows in other walks of life. We do not ask
the jester in journalism whether his quips and epigrams are always
dictated by the loftiest morality; nor do we insist on knowing that
the odor of sanctity surrounds the private lives of lawyers and
military men before we send our sons into law and the army. It
is impossible to point out any vocation which is not attended by
temptations that prove fatal to many; but you have simply to consider
whether a profession has in itself any title to honor, and then--if
you are confident of your capacity--to enter it with a resolve to do
all that energy and perseverance can accomplish. The immortal part of
the stage is its nobler part. Ignoble accidents and interludes come
and go, but this lasts on forever. It lives, like the human soul,
in the body of humanity--associated with much that is inferior, and
hampered by many hindrances; but it never sinks into nothingness, and
never fails to find new and noble work in creations of permanent and
memorable excellence. And I would say, as a last word, to the young
men in this assembly who may at any time resolve to enter the dramatic
profession, that they ought always to fix their minds upon the highest
examples; that in studying acting they should beware of prejudiced
comparisons between this method and that, but learn as much as
possible from all; that they should remember that art is as varied as
nature, and as little suited to the shackles of a school; and, above