ennobling that has not ere now, and from period to period, been
illustrated in the bright vesture, and received expression from the
glowing language of theatrical representation. And surely it is
fit that, remembering what the stage has been and must be, I should
acknowledge eagerly and gladly that, with few exceptions, the public
no longer debar themselves from the profitable pleasures of the
theatre, and no longer brand with any social stigma the professors of
the histrionic art. Talking to an eminent bishop one day, I said to
him, "Now, my Lord, why is it, with your love and knowledge of the
drama, with your deep interest in the stage and all its belongings,
and your wide sympathy with all that ennobles and refines our
natures--why is it that you never go to the theatre?" "Well," said
he, "I'll tell you. I'm afraid of the _Rock_ and the _Record_." I
hope soon we shall relieve even the most timid bishop--and my right
reverend friend is not the most timid--of all fears and tremors
whatever that can prevent even ministers of religion from recognizing
the wisdom of the change of view which has come over even the most
fastidious public opinion on this question. Remember, if you please,
that the hostile public opinion which has lately begun so decisively
to disappear, has been of comparatively modern growth, or at least
revival. The pious and learned of other times gave their countenance
and approbation to the stage of their days, as the pious and learned
of our time give their countenance and approbation to certain
performances in this day. Welcome be the return of good sense, good
taste, and charity, or rather justice. No apology for the stage. None
is needed. It has but to be named to be honored. Too long the world
talked with bated breath and whispering humbleness of "the poor
player." There are now few poor players. Whatever variety of fortune
and merit there may be among them, they have the same degrees of
prosperity and respect as come to members of other avocations. There