Yet two other social grades existed. Every man and boy in Sanger was
an expert with the axe; was wonderfully adroit. The familiar phrase,
"He's a good man," had two accepted meanings: If obviously applied to
a settler during the regular Saturday night Irish row in the little
town of Downey's Dump, it meant he was an able man with his fists;
but if to his home life on the farm, it implied that he was unusually
dexterous with the axe. A man who fell below standard was despised.
Since the houses of hewn logs were made by their owners, they
reflected the axemen's skill. There were two styles of log
architecture; the shanty with corners criss-cross, called hog-pen
finish, and the other, the house with the corners neatly finished,
called dovetail finish. In Sanger it was a social black eye to live in
a house of the first kind. The residents were considered "scrubs" or
"riff-raff" by those whose superior axemanship had provided the
more neatly finished dwelling. A later division crept in among the
"dovetailers" themselves when a brickyard was opened. The more
prosperous settlers put up neat little brick houses. To the surprise
of all, one Phil O'Leary, a poor but prolific Dogan, leaped at once
from a hog-pen log to a fine brick, and caused no end of perplexity
to the ruling society queens, simply paralyzing the social register,
since his nine fat daughters now had claims with the best. Many,
however, whose brick houses were but five years old, denounced the
O'Learys as upstarts and for long witheld all social recognition.
William Raften, as the most prosperous man in the community, was
first to appear in red bricks. His implacable enemy, Char-less (two
syllables) Boyle, egged on by his wife, now also took the red brick
plunge, though he dispensed with masons and laid the bricks himself,
with the help of his seventeen sons. These two men, though Orangemen
both, were deadly enemies, as the wives were social rivals. Raften was
the stronger and richer man, but Boyle, whose father had paid his own