Concerts du Conservatoire, a treat in anticipation of which du Maurier
at once takes to the pen, and shows us in classical garments and
dignified attitudes listening to the "young men of the Conservatorio."
"Sketch represents," he says "Claudius Felix et Publius Busso, cum
centurione Guidorum, audientes juvenes Conservatorioni, A.D. CCLVIII."
The "Busso" derived from his full name--George Louis Palmella Busson
du Maurier.

In striking contrast with the last drawing is the next. Here we are
decidedly anything but conventional in our attire, as he depicts us
in "Double-bedded room, Brussels. Time 11 a.m. (train starts 11.20).
Bobtail's face being rather smutty, he washes it, and Rag's boots
being rather tight, he puts them on at leisure, during which process
he has time to smoke three pipes. _Bobtail_. Bub-bub-bub-bub ... whew
... pouf!... _Rag_. How many?"

[Illustration]

A favourite theme of his was his supposed inability to shine on
occasions when I had introduced him to friends of mine, and was
particularly anxious to show him off to advantage, and then, again,
the unrelenting fate that would swiftly overtake him if he ventured
to put himself forward. I need not say that the inability and the
discomfiture existed only in his imagination, for in all circles he
was ever appreciated and admired. But he would have it otherwise, and
pourtrays us side by side with the legend--

[Illustration: "The height of enjoyment. Rag thinking of his eyes, in
a pair of tight boots, with Bobtail whispering: 'Say something clever,
you stupid muff!'"]