Library of the World's Best Literature, Ancient and Modern — Volume 5 by Various
page 63 of 579 (10%)
page 63 of 579 (10%)
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1885). A sequel to 'Over Ævne' has also recently appeared. The most
noteworthy of these works, considered as acting plays, are 'Redaktören' and 'En Fallit.' The one has for its subject the degradation of modern journalism; the other attacks the low standard of commercial morality prevailing in modern society. 'En Hanske' plants itself squarely upon the proposition that the obligations of morality are equally binding upon both sexes; a problem treated by Ibsen, after a somewhat different fashion, in 'Gengangere' (Ghosts). This play has occasioned much heated discussion, for its theme is of the widest interest, besides being pivotal as regards Björnson's sociological views. 'Over Ævne' is a curiously wrought and delicate treatment of religious mysticism, fascinating to read, but not very definite in outcome. 'Kongen' is probably the most remarkable, all things considered, of this series of plays, and Björnson told me some years ago that he considered it the most important of his works. Taking frankly for granted that monarchy, whether absolute or constitutional, is an outworn institution, the play discusses the question whether it may not be possible so to transform the institution as to fit it for a prolongation of existence. The interest centres about the character of a king who is profoundly convinced that the principle he embodies is an anachronism or a lie, and who seeks to do away with the whole structure of convention, and ceremonial, and hypocrisy, that the centuries have built about the throne and its occupants. But his dearest hopes are frustrated by the forces of malice, and dull conservatism, and invincible stupidity; the burden proves too heavy for him, the fight too unequal, and he takes his own life in a moment of despair. The terrible satirical power of certain scenes in this play would be difficult to match were our choice to range through the whole literature of Revolt. Its production brought upon the author a storm of furious denunciation. He had outraged both throne and altar, and his sacrilegious hand had not spared things the most |
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