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Amos Kilbright; His Adscititious Experiences by Frank Richard Stockton
page 52 of 103 (50%)
of my life is to introduce machinery into art, and, ultimately, steam.
And yet I will have no shams, no chromos. Everything shall be real--the
work of the brush. Here, sir," he continued, showing me into a long room
filled with workmen, "you see the men engaged in putting together the
frames on which to stretch my canvases. Every stick is cut, planed, and
jointed at a mill in Vermont, and sent on here by the car-load. Beyond
are the workmen cutting up, stretching, and preparing the canvas, bales
upon bales of which are used in a day. At the far end are the mills for
grinding and mixing colors. And now we will go to the upper floors, and
see the true art-work. Here, sir," he said, continuing to talk as we
walked through the rooms on the various floors, "is the landscape and
marine department. That row of men are putting in skies; they do nothing
else. Each has his copy before him, and, day after day, month after
month, paints nothing but that sky; and of course he does it with great
rapidity and fidelity. Above, on those shelves, are sky-pots of every
variety; blue-serene pots, tempest pots, sunset pots in compartments,
morning-gray pots, and many others. Then the work passes to the
middle-ground painters, who have their half-tone pots within easy reach.
After that the foreground men take it up, and the figurists put in the
men and animals. That man there has been painting that foreground cow
ever since the first of August. He can now put her in three and a half
times in fifteen minutes, and will probably rise to sixteen cows an hour
by the end of this month. These girls do nothing but put white-caps to
waves. There's a great demand at present for the windy marine. This next
room is devoted to portraits to order. You see that row of old ladies
without heads, each holding a pair of spectacles, and with one finger in
the Bible to keep the place; that's very popular, and we put in a head
when the photograph is sent. There is a great rage at present for
portraits of babies without any clothes on. Here is a lot of undraped
infants with bodies all finished, but with no heads. We can finish them
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