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Cambridge Essays on Education by Various
page 54 of 216 (25%)
taught how to read a book intelligently. In dealing with classical
books, vocabulary must be always a difficulty, and I myself very much
doubt the advisability in the case of average boys of attempting to
teach more than one foreign language at a time, especially when in
dealing, say, with three kindred languages, such as Latin, French, and
English, the same word, such as _spiritus_, _esprit_, and _spirit_
bear very different significations. The great need is that there
should be some work going on in which the boys should not be conscious
of dragging an ever-increasing burden of memory. Let me take a
concrete case. A poem like the _Morte d'Arthur_, or _The Lay of the
Last Minstrel_, is well within the comprehension of quite small boys.
These could be read in a class, after an introductory lecture as to
date, scene, dramatis personae, with perfect ease, words explained as
they occurred, difficult passages paraphrased, and the whole action of
the story could pass rapidly before the eye. Most boys have a distinct
pleasure in rhyme and metre. Of course it is an immense gain if the
master can really read in a spirited and moving manner, and a training
in reading aloud should form a part of every schoolmaster's outfit. I
should wish to see this reading lesson a daily hour for all younger
boys, so as to form a real basis of education. Three of these hours
could be given to English, and three to French, for in French there is
a wide range both of simple narrative stories and historical romances.
The aim to be kept in view would be the very simple one of proving
that interest, amusement and emotion can be derived from books which,
unassisted, only boys of tougher intellectual fibre could be expected
to attack. The personalities of the authors of these books should be
carefully described, and the result of such reading, persevered in
steadily, would be, what is one of the most stimulating rewards of
wider knowledge, the sudden realisation, that is, that books and
authors are not lonely and isolated phenomena, but that the literature
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