Cambridge Essays on Education by Various
page 54 of 216 (25%)
page 54 of 216 (25%)
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taught how to read a book intelligently. In dealing with classical
books, vocabulary must be always a difficulty, and I myself very much doubt the advisability in the case of average boys of attempting to teach more than one foreign language at a time, especially when in dealing, say, with three kindred languages, such as Latin, French, and English, the same word, such as _spiritus_, _esprit_, and _spirit_ bear very different significations. The great need is that there should be some work going on in which the boys should not be conscious of dragging an ever-increasing burden of memory. Let me take a concrete case. A poem like the _Morte d'Arthur_, or _The Lay of the Last Minstrel_, is well within the comprehension of quite small boys. These could be read in a class, after an introductory lecture as to date, scene, dramatis personae, with perfect ease, words explained as they occurred, difficult passages paraphrased, and the whole action of the story could pass rapidly before the eye. Most boys have a distinct pleasure in rhyme and metre. Of course it is an immense gain if the master can really read in a spirited and moving manner, and a training in reading aloud should form a part of every schoolmaster's outfit. I should wish to see this reading lesson a daily hour for all younger boys, so as to form a real basis of education. Three of these hours could be given to English, and three to French, for in French there is a wide range both of simple narrative stories and historical romances. The aim to be kept in view would be the very simple one of proving that interest, amusement and emotion can be derived from books which, unassisted, only boys of tougher intellectual fibre could be expected to attack. The personalities of the authors of these books should be carefully described, and the result of such reading, persevered in steadily, would be, what is one of the most stimulating rewards of wider knowledge, the sudden realisation, that is, that books and authors are not lonely and isolated phenomena, but that the literature |
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