The Art of War by baron Henri Jomini
page 33 of 570 (05%)
page 33 of 570 (05%)
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army: his adversaries have an army, and a people wholly or almost wholly
in arms, and making means of resistance out of every thing, each individual of whom conspires against the common enemy; even the non-combatants have an interest in his ruin and accelerate it by every means in their power. He holds scarcely any ground but that upon which he encamps; outside the limits of his camp every thing is hostile and multiplies a thousandfold the difficulties he meets at every step. These obstacles become almost insurmountable when the country is difficult. Each armed inhabitant knows the smallest paths and their connections; he finds everywhere a relative or friend who aids him; the commanders also know the country, and, learning immediately the slightest movement on the part of the invader, can adopt the best measures to defeat his projects; while the latter, without information of their movements, and not in a condition to send out detachments to gain it, having no resource but in his bayonets, and certain safety only in the concentration of his columns, is like a blind man: his combinations are failures; and when, after the most carefully-concerted movements and the most rapid and fatiguing marches, he thinks he is about to accomplish his aim and deal a terrible blow, he finds no signs of the enemy but his camp-fires: so that while, like Don Quixote, he is attacking windmills, his adversary is on his line of communications, destroys the detachments left to guard it, surprises his convoys, his depots, and carries on a war so disastrous for the invader that he must inevitably yield after a time. In Spain I was a witness of two terrible examples of this kind. When Ney's corps replaced Soult's at Corunna, I had camped the companies of the artillery-train between Betanzos and Corunna, in the midst of four brigades distant from the camp from two to three leagues, and no Spanish |
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