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Aftermath by James Lane Allen
page 20 of 80 (25%)
a whole country in order to control a single point: I should be pleased
to learn what portion of the earth's surface I am required to subdue
ere I shall hold one little citadel.

As for me, Georgiana requires that I shall be a good deal like an old
rock jutting out of the quiet earth: never ruffled, never changing
either on the surface or at heart, bearing whatever falls upon me, be
it frost or sun, and warranted to waste away only by a sort of
impersonal disintegration at the rate of half an inch to the thousand
years. Meantime she exacts for herself the privilege of dwelling near
as the delighted cave of the winds. The part of wisdom in me then is
not to heed each sallying gust, but to capture the cave and drive the
winds away.

For I know in whom I have believed; I know that this myriad caprice is
but the deepening of excitement on the verge of captivity; I know that
on ahead lie the regions of perpetual calm--my Islands of the Blest.

Georgiana does not play upon the pianoforte; or, as Mrs. Walters would
declare, she does not perform upon the instrument. Sylvia does; she
performs, she executes. There are times when she will execute a piece
called "The Last Hope" until the neighbors are filled with despair and
ready to stretch their heads on the block to any more merciful
executioner. Nor does Georgiana sing to company in the parlor. That
is Sylvia's gift; and upon the whole it was this unmitigated practice
in the bosom--and in the ears--of her family that enabled Sylvia to
shine with such vocal effulgence in the procession on the last Fourth
of July and devote a pair of unflagging lungs to the service of her
country.

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