Women had come and gone in Hedger's life. Not having had a mother to
begin with, his relations with them, whether amorous or friendly, had
been casual. He got on well with janitresses and wash-women, with Indians
and with the peasant women of foreign countries. He had friends among the
silk-skirt factory girls who came to eat their lunch in Washington
Square, and he sometimes took a model for a day in the country. He felt
an unreasoning antipathy toward the well-dressed women he saw coming out
of big shops, or driving in the Park. If, on his way to the Art Museum,
he noticed a pretty girl standing on the steps of one of the houses on
upper Fifth Avenue, he frowned at her and went by with his shoulders
hunched up as if he were cold. He had never known such girls, or heard
them talk, or seen the inside of the houses in which they lived; but he
believed them all to be artificial and, in an aesthetic sense, perverted.
He saw them enslaved by desire of merchandise and manufactured articles,
effective only in making life complicated and insincere and in
embroidering it with ugly and meaningless trivialities. They were enough,
he thought, to make one almost forget woman as she existed in art, in
thought, and in the universe.

He had no desire to know the woman who had, for the time at least, so
broken up his life,--no curiosity about her every-day personality. He
shunned any revelation of it, and he listened for Miss Bower's coming and
going, not to encounter, but to avoid her. He wished that the girl who
wore shirt-waists and got letters from Chicago would keep out of his way,
that she did not exist. With her he had naught to make. But in a room
full of sun, before an old mirror, on a little enchanted rug of sleeping
colours, he had seen a woman who emerged naked through a door, and
disappeared naked. He thought of that body as never having been clad, or
as having worn the stuffs and dyes of all the centuries but his own. And