The Son of Clemenceau by Alexandre Dumas fils
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page 10 of 244 (04%)
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inspires, continued her way, averting her head with calculation, but he
felt sure that she was not offended. He could laugh at the mistake he had made for, at this close encounter, he perceived that what in the tragic mood originated by the review of beggars in the shades of night, he had taken to be a child's casket, was a violin-case. The girl--she was perhaps but sixteen--had the artist's eye, black, fiery, deep and winning, while haughty for the vulgar worshiper; her hair was treated in a fantastic fashion as unlike that of the staid German maiden as its hue of black was the opposite of the traditional flaxen. Even in the feeble street-lamplight, she appeared, with her finely chiseled features of an Oriental type, handsome enough to melt an anchorite, and in the beholder a flood of passion gushed up and expanded his heart--devoid of such a mastering emotion before. He believed this was love! Perhaps it was love--real, true, indubitable love--but there is a mock-love with so much to advance in its favor that it has won many a battle where the genuine feeling has fought long in vain. Sharing some shock not unlike his own in extent and sharpness, the girl with the violin-case had paused just perceptibly in an unconscious attitude which kept in the lamplight her bust, tightly encased in a faded but elegant Genoa brocade jacket, with copper lace ornamentation, coming down upon a promising curve, clothed in a similarly theatrical skirt of flowered satin and China silk braid. On her wrists were bracelets and on her ungloved hands many rings, with stones rather too large to be taken for genuine on a woman promenading alone at such an hour. Conjoined with the musical instrument, the attire confirmed the student in his first impression after the tragic one, that this was a performer in one of the numerous dance-houses of the popular region, |
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