The Son of Clemenceau by Alexandre Dumas fils
page 23 of 244 (09%)
page 23 of 244 (09%)
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CHAPTER III.
"THE JINGLE-JANGLE." The person to whom the shapely hand and musical voice belonged, conducted the student along the narrow passage to a turning where she halted, under a lamp with a reflector which threw them in that position into the shade. The passage was divided by the first lobby, and on the lamp was painted, back to back: "Men," "Ladies;" besides, a babble of feminine voices on the latter side betrayed, as the intruder suspected from the previous placard, that he had entered a place of entertainment by the stage-door, a Tingel-Tangel, or Jingle-Jangle, as we should say. It was the Jewess who was the Ariadne to this maze. Seen in the light, at close range, with the enchanting smile which a woman always finds for the man who has won her gratitude by supplementing her deficiency in strength and courage with his own, she was worthier love than ever. At this view, too, he was sure that, unlike too many of the _divas_ of these _spielungs_, or dens, she was not one of the stray creatures who sell pleasure to some and give it to others, and for themselves keep only shame--fatal ignominy, wealth at best very unsubstantial, and if, at last, winners, they laugh--one would rather see them weeping. "What's your name?" she inquired, quickly. "I am Rebecca Daniels, whom they call on the Bills 'La Belle Stamboulane'--though I have never been farther east than Prague," she added with a contemptuous smile. "That was my father, whose maltreatment you so promptly but I fear so severely chastised. But your name?" impatiently. |
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