How to Observe in Archaeology by Various
page 42 of 132 (31%)
page 42 of 132 (31%)
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British Museum Sir F. G. Kenyon, K.C.B.
Victoria and Albert Museum Sir Cecil Harcourt Smith, C.V.O. PART II INTRODUCTORY NOTE The aim of the special sections contained in Chapters III-VIII is to describe, not the objects usually to be seen in Museums, but only such things as will be found lying out on mounds and sites, and as are more or less distinctive of a period. Thus certain comparatively trivial objects are named, because they are peculiar to a period, and likely to be found in a casual passage over a site, whereas other objects, common to several periods, are ignored. Only the distinctive, key objects are mentioned. The great features of Greek Art, for instance, are not dealt with in Chapter II; nor are coins, the probabilities of finding them being too slender, and the possibilities too wide. Nevertheless, coins when found should be carefully quoted. Pottery naturally takes the largest place, as it was abundant, and its fragments are a good guide to period, and being practically indestructible and of no intrinsic value are most likely to be met with. The difference between pottery made with the use of the wheel and that made without is important to be noted. The use of the wheel can usually be detected through the slight inequalities of the clay that make a series of parallel lines on the inner surface. The diagrammatic representations of the pot-forms characteristic of |
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