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How to Observe in Archaeology by Various
page 58 of 132 (43%)
Introduction of red colouring into clay and of superlative Attic
black glaze.

Figure scenes (battle scenes and scenes from mythology) largely
predominate. Black silhouettes, details marked with fine incisions,
additions of purple and white (latter for linen and flesh of women).
Elaborate palmettos characteristic (III, Fig. 31).


IV. CLASSICAL GREEK

Red Figured Period.
525 B.C. Same clay and glaze, but whole vase covered with glaze and
figures reserved showing in colour of clay, details being added with
fine-drawn lines of glaze.

White Attic Vases. The older style of figures drawn in outline on a
light ground (e. g. Naucratite and Rhodian ware), the space within
outlines being filled more or less with wash of colour, survived in
Athens side by side with the more usual black glazed ware, and in the
fifth century was particularly affected for the class of funerary
lekythi, vases made for offering at a tomb (III, Fig. 30). Outlines at
first drawn in black, then golden brown, lastly a dull red.

Miscellaneous.
Walls. Sixth century. Characteristic type of polygonal wall, each
irregular stone very carefully fitted to its neighbours.

Fortifications usually built with square towers and bastions
projecting from the curtain.
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