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How to Observe in Archaeology by Various
page 65 of 132 (49%)
In the Later Iron Age or Historic Period, from the seventh century
onward, the pot-fabrics of Asia Minor rapidly assimilate two main
classes of foreign fashions, Greek and Oriental.

E.
The Oriental types (mainly from Syria) are all plump and heavy
looking, usually in coarse buff or cream-coloured ware, almost
without paint. The Greek forms are more graceful, varied, and
specialized; light-coloured clays predominate, with simple bands of
black ill-glazed paint, absorbed by the inferior clays.

After Alexander's time the Greek and the Oriental forms became
confused; the general level of style and execution falls, painted
decoration almost disappears, and the outer surface is often ribbed
by uneven pressure of the fingers on the whirling clay. This fashion
is a sign of late Hellenistic or Graeco-Roman date.

F.
Meanwhile, the black-glazed Greek (mainly Athenian) wares spread
widely for table use, and were imitated locally from the fourth
century onwards. The clay is pale or reddish (genuine Greek fabrics
are usually quite red within) and the glaze thick, black, and of a
brilliant glassy smoothness. Imitations are of all degrees of
inferiority.

G.
Other late fabrics have smooth ill-glazed surfaces, of various red,
brown, or chocolate tints, over hard-baked dull-fractured paste not
unlike modern earthenware, but usually dark-coloured. These wares
begin in the Hellenistic period, and go on into the Roman and early
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