bowls, belong to it. Elaborate polychrome decoration, including
figures of birds. But little moulded ornament.

Third Semitic Period (circa 1400-1000 B.C.).
The same foreign influences are traceable, but rather as reminiscent
local imitations than as direct imports. Late Minoan [Mycenaean]
sherds are, however, frequent. The shapes of vessels are less
artistic than in the preceding period: the painted ornament is also
degenerated, being traced in wiry lines rather than in the bold wash
of the preceding period.

Fourth Semitic Period (circa 1000-550 B.C.).
Late Cypriote imports. The local ware very poor, coarse, gritty,
inartistic. No painted ornament except mere lines: clumsy moulded
ornament frequent.

Post-Exilic and Hellenistic Period (circa 550-100 B.C.).
Imports from Greece (sometimes fragments of black or red figured
vases, or lekythoi) and from the Aegean Islands (especially wine-jars
from Rhodes: stamped handles of such are frequent). The native ware
is easily recognizable by its smoothness and hardness; when struck
with a stick a sherd emits a musical clink. The vessels are very fair
imitations of classical models, occasionally with painted ornament,
but more frequently moulded.

Roman and Byzantine Period (circa 100 B.C.-A.D. 600).
The unmistakable character of the ware of this period is the ribbed
surface, with which nearly all vessels are decorated. Fragments of
ribbed pottery are strewn almost over all Palestine. Ornament
consisting of repeated impressions of stamps now begins to appear.