perished. It is true that the work bears some resemblance to a small
recumbent figure; but if so it is not worthy of the name of sculpture,
as it is in the worst taste, and altogether out of keeping with the
architecture or the other sculpture we have found.[19] There are
several grooves in the _schola_ for branches of this pipe: 1st. The
continuation of it to the northern semi-circular bath of 1755. 2nd.
From the first soldered joint to baths on the north of the Great Bath.
3rd. Along the western end of the latter to baths on the south, and
along the _schola_ to the south circular bath of Lucas's. Beneath the
mutilated sculpture is a second pedestal, or plinth, perfectly plain,
with the upper surface sunk to a level corresponding with a similar
indentation on the third step. Within this must have stood a marble on
bronze sarcophagus, the base of which was 6ft. 9in. long by 2ft. 5in.
wide. The water flowing through the aperture previously described
would run into the sarcophagus (I use the word in its modern sense)
and from it into the bath. This water was not poured in sufficient
volume to perceptibly cool the bath, but was provided for the
thirst of the bathers. In the modern baths of Bath there is no such
provision.

[Footnote 16: The construction of the steps to the baths deserves
remark (some of the stones being 10ft. long). The depth of the riser
to the steps that were beneath the water is unusually deep, and the
treads narrow. This is compensated by the increased buoyancy of a
human body when immersed, or partially immersed, in water. The steps
have, on the contrary, a shallower rise and a wider tread when they
approach the top. The next notable point is the formation of the tread
of the upper flooded step. This is grooved by a somewhat circular
sinking, from 4 to 5in. wide, immediately against the riser of the
topmost step. Everyone frequenting a public bath must have noticed the