The Mirror of Literature, Amusement, and Instruction - Volume 10, No. 290, December 29, 1827 by Various
page 24 of 55 (43%)
page 24 of 55 (43%)
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_spondaulae_, from which I conceive the _waightes_, or _waites_,
of our ancient kings were borrowed. The _Roman waites_, or _spondaulae_, were a description of vocal and instrumental musicians, who performed a hymn, whose measure consisted of spondees, (a poetic foot, formed of two long syllables,) which was sung, accompanied by the flute, or other wind instrument, while the priest offered the sacrifice, and the incense was burning, to procure the favour of the gods; the waits, or spondaulae, continuing their music, to prevent the priest from hearing sounds of ill omen, which might disturb the ceremony, or divert his attention. It has been suggested, in this view of the origin of the waits, which many writers consider to be the real source of the custom, that they are altogether anti-christian, and of heathen and idolatrous foundation, and of consequence have neither allusion to, nor connexion with, our festivities at Christmas _at any period_. City Road. L. DESORMEAUX. * * * * * ORIGIN OF LOVE. FROM THE MADRIGALS OF GUARINI. (_For the Mirror_.) Cupid one day, in luckless hour, Observed a bee from flow'r to flow'r, |
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