pretty little girls." In order of increasing intensity he placed
the phenomena that affected him thus: The coupling of flies, then
of horses, then the sight of women's undergarments, then a boy
and a girl flirting, then cows mounting on each other, the
statues of women with naked breasts, then contact with the
governess's body and breasts, finally coitus. (Arthur Macdonald,
_Le Criminel-Type_, pp. 126 et seq.)

It is worthy of remark that the instinct of nutrition, when
restrained, may exhibit something of an analogous symbolism,
though in a minor degree, to that of sex. The ways in which a
hyperæsthetic hunger may seek its symbols are illustrated in the
case of a young woman called Nadia, who during several years was
carefully studied by Janet. It is a case of obsession ("maladie
du scrupule"), simulating hysterical anorexia, in which the
patient, for fear of getting fat, reduced her nourishment to the
smallest possible amount. "Nadia is generally hungry, even very
hungry. One can tell this by her actions; from time to time she
forgets herself to such an extent as to devour greedily anything
she can put her hands on. At other times, when she cannot resist
the desire to eat, she secretly takes a biscuit. She feels
horrible remorse for the action, but, all the same, she does it
again. Her confidences are very curious. She recognizes that a
great effort is needed to avoid eating, and considers she is a
heroine to resist so long. 'Sometimes I spent whole hours in
thinking about food, I was so hungry; I swallowed my saliva, I
bit my handkerchief, I rolled on the floor, I wanted to eat so
badly. I would look in books for descriptions of meals and
feasts, and tried to deceive my hunger by imagining that I was
sharing all these good things,'" (P. Janet, "La Maladie du