so elegant an effect, that one did not know what to admire most,--the
beautiful manner of moving, or the majesty of the halts, now expressing
excessive gayety, now a beautiful and haughty disdain. Who could dance
with such elegance and grace as the royal brother and sister? None, I
believe; and I have watched the King dancing with the Queen of Spain and
the Queen of Scotland, each of whom was an excellent dancer.

I have seen them dance the 'Pazzemezzo d'Italie,' walking gravely
through the measures, and directing their steps with so graceful and
solemn a manner that no other prince nor lady could approach them in
dignity. This Queen took great pleasure in performing these grave
dances; for she preferred to exhibit dignified grace rather than to
express the gayety of the Branle, the Volta, and the Courante. Although
she acquired them quickly, she did not think them worthy of her majesty.

I always enjoyed seeing her dance the Branle de la Torche, or du
Flambeau. Once, returning from the nuptials of the daughter of the King
of Poland, I saw her dance this kind of a Branle at Lyons before the
assembled guests from Savoy, Piedmont, Italy, and other places; and
every one said he had never seen any sight more captivating than this
lovely lady moving with grace of motion and majestic mien, all agreeing
that she had no need of the flaming torch which she held in her hand;
for the flashing light from her brilliant eyes was sufficient to
illuminate the set, and to pierce the dark veil of Night.

* * * * *

THE SHADOW OF A TOMB

From 'Lives of Courtly Women'