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Punch, or the London Charivari, Volume 1, July 17, 1841 by Various
page 24 of 68 (35%)
performances of the said zealous friend--and with an exclamation that,
were Mawworn present, would cost us a shilling, we find the professional
singer has concluded, and is half stooping to the applause, and half
lifting his diligently-stirred grog, gulping down the "creature comfort"
with infinite satisfaction.

* * * * *

--There goes the hammer again! (Rubins has a sinecure compared to that fat
man). "A glee, gents!--a glee!"--Ah! there they are--three coats--three
collars--Heaven knows how many buttons!--three bald heads, three stout
stomachs, three mouths, stuffed with three tuning-forks, nodding and
conferring with a degree of mystery worthy of three Guy Faux."--What is
the subject?

"_Hail_ smi_lig_ _b_orn."

That's a good guess! By the way, the vulgar notion of singing
_ensemble_ is totally exploded by these gentry--each professional
singer, as a professional singer, sings his very loudest, in _justice to
himself_; if his brethren want physical power, that's no fault of
_his_, _he don't_. Professional singers indulge in small
portions of classic lore: among the necessary acquirements is, "Non
nobis," &c. &c.; that is, they consider they ought to know the airs. The
words are generally delivered as follows:--_Don--dobis--do--by--de_.
A clear enunciation is not much cultivated among the clever in this line.

In addition to the few particulars above, it may be as well to mention,
they treat all tavern-waiters with great respect, which is more
Christian-like, as the said waiters never return the same--sit anywhere,
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