Nonsense Books by Edward Lear
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in color, or stiff in composition; sometimes full of imagination, at others
literal and prosaic,--but always impressive reproductions of interesting or peculiar scenery. In later years he used in conversation to qualify himself as a "topographical artist;" and the definition was true, though not exhaustive. He had an intuitive and a perfectly trained eye for the character and beauty of distant mountain lines, the solemnity of rocky gorges, the majesty of a single mountain rising from a base of plain or sea; and he was equally exact in rendering the true forms of the middle distances and the specialties of foreground detail belonging to the various lands through which he had wandered as a sketcher. Some of his pictures show a mastery which has rarely been equalled over the difficulties of painting an immense plain as seen from a height, reaching straight away from the eye of the spectator until it is lost in a dim horizon. Sir Roderick Murchison used to say that he always understood the geological peculiarities of a country he had only studied in Lear's sketches. The compliment was thoroughly justified; and it is not every landscape-painter to whom it could honestly be paid. The history of Lear's choice of a career was a curious one. He was the youngest of twenty-one children, and, through a family mischance, was thrown entirely on the limited resources of an elderly sister at a very early age. As a boy he had always dabbled in colors for his own amusement, and had been given to poring over the ordinary boys' books upon natural history. It occurred to him to try to turn his infant talents to account; and he painted upon cardboard a couple of birds in the style which the older among us remember as having been called Oriental tinting, took them to a small shop, and sold them for fourpence. The kindness of friends, to whom he was ever grateful, gave him the opportunity of more serious and more remunerative study, and he became a patient and accurate zoölogical draughtsman. Many of the birds in the earlier volumes of Gould's |
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