The Cloister and the Hearth by Charles Reade
page 49 of 1090 (04%)
page 49 of 1090 (04%)
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I dare say she will give me a place about the palace." And with this
hopeful reflection his mind was eased, and, being now at the entrance of the banqueting hall, he thanked his conductor, and ran hastily with joyful eyes to Margaret. He came in sight of the table--she was gone. Peter was gone too. Nobody was at the table at all; only a citizen in sober garments had just tumbled under it dead drunk, and several persons were raising him to carry him away. Gerard never guessed how important this solemn drunkard was to him: he was looking for "Beauty," and let the "Beast" lie. He ran wildly round the hall, which was now comparatively empty. She was not there. He left the palace: outside he found a crowd gaping at two great fan-lights just lighted over the gate. He asked them earnestly if they had seen an old man in a gown, and a lovely girl pass out. They laughed at the question. "They were staring at these new lights that turn night into day. They didn't trouble their heads about old men and young wenches, every-day sights." From another group he learned there was a Mystery being played under canvas hard by, and all the world gone to see it. This revived his hopes, and he went and saw the Mystery. In this representation divine personages, too sacred for me to name here, came clumsily down from heaven to talk sophistry with the cardinal Virtues, the nine Muses, and the seven deadly sins, all present in human shape, and not unlike one another. To enliven which weary stuff in rattled the Prince of the power of the air, and an imp that kept molesting him and buffeting him with a bladder, at each thwack of which the crowd were in ecstasies. When the Vices had uttered good store of obscenity and the Virtues twaddle, the celestials, including the nine Muses went gingerly back to heaven one by one; for there was but one cloud; and two artisans worked it tip with its supernatural freight, and worked it down with a winch, in full sight of the audience. These |
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