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A Study of Fairy Tales by Laura F. Kready
page 47 of 391 (12%)
itself, not only a genuine classic according to Sainte-Beuve's
standard, and a tale possessing qualities of mind and soul according
to Pater's _Style_, but it must have shown itself also a work owning
certain features distinguishing it as literature. These particular
literary marks which differentiate the literary tale from the ordinary
prose tale have been pointed out by Professor Winchester in his
_Principles of Literary Criticism_. They apply to the old tale of
primitive peoples just as well as to the modern tale of to-day. As
literature the tale must have:

(1) a power to appeal to the emotions;

(2) a power to appeal to the imagination;

(3) a basis of truth; and

(4) a form more or less perfect.

(1) A power to appeal to the emotions. This appeal to the emotions is
its unique distinguishing literary trait. Literature appeals, not to
the personal emotions but to the universal ones. For this reason,
through literature the child may come in time to develop a power of
universal sympathy, which is not the least value literature has to
bestow upon him, for this sympathy will become a benediction to all
those with whom he may have to deal. In order that emotion in the
tales may be literary--make a permanent appeal--according to Professor
Winchester's standards, it must have justness given by a deep and
worthy cause; vividness so that it may enlarge and thrill; a certain
steadiness produced by everything in the tale contributing to the main
emotion; a variety resulting from contrasts of character; and a high
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