A Study of Fairy Tales by Laura F. Kready
page 63 of 391 (16%)
page 63 of 391 (16%)
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characterized by precision, energy, delicacy, and personality, and at
the same time has the elements of its composition controlled by the principles of sincerity, unity, mass, and coherence, it is said to possess style. The fairy tale which is a classic characterized by that perfect form called style, will possess the general qualities of precision, energy, delicacy, and personality; and the elements of its structure, its words, its sentences, its paragraphs, will display a control of the principles of sincerity, unity, mass, and coherence. A tale which well illustrates the literary form possible to the child's tale, which may be said to possess that perfection of form we call style, and which may be used with the distinct aim to improve the child's English and perfect his language expression, is the modern realistic fairy tale, _Oeyvind and Marit_. _Oeyvind and Marit_ is so entirely realistic as to be excluded here, but the talking rhymes which the Mother sings to Oeyvind bring in the fairy element of the talking animals. In the form of this tale, the perfect fidelity with which the words fit the meaning is apparent--nothing seems superfluous. When Oeyvind asked Marit who she was, she replied:-- "I am Marit, mother's little one, father's fiddle, the elf in the house, granddaughter of Ole Nordistuen of the Heidi farms, four years old in the autumn, two days after the frost nights, I!" And Oeyvind replied:-- "Are you really?"--and drew a long breath which he had not dared to do so long as she was speaking. |
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