The Art of Letters by Robert Lynd
page 45 of 258 (17%)
page 45 of 258 (17%)
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family crest for a new one--Christ crucified on an anchor. But he might
well have left the snakes writhing about the anchor. He remained a tempted man to the end. One wishes that the _Sermons_ threw more light on his later personal life than they do. But perhaps that is too much to expect of sermons. There is no form of literature less personal except a leading article. The preacher usually regards himself as a mouthpiece rather than a man giving expression to himself. In the circumstances what surprises us is that the _Sermons_ reveal, not so little, but so much of Donne. Indeed, they make us feel far more intimate with Donne than do his private letters, many of which are little more than exercises in composition. As a preacher, no less than as a poet, he is inflamed by the creative heat. He shows the same vehemence of fancy in the presence of the divine and infernal universe--a vehemence that prevents even his most far-sought extravagances from disgusting us as do the lukewarm follies of the Euphuists. Undoubtedly the modern reader smiles when Donne, explaining that man can be an enemy of God as the mouse can be an enemy to the elephant, goes on to speak of "God who is not only a multiplied elephant, millions of elephants multiplied into one, but a multiplied world, a multiplied all, all that can be conceived by us, infinite many times over; nay (if we may dare to say so) a multiplied God, a God that hath the millions of the heathens' gods in Himself alone." But at the same time one finds oneself taking a serious pleasure in the huge sorites of quips and fancies in which he loves to present the divine argument. Nine out of ten readers of the _Sermons_, I imagine, will be first attracted to them through love of the poems. They need not be surprised if they do not immediately enjoy them. The dust of the pulpit lies on them thickly enough. As one goes on reading them, however, one becomes suddenly aware of their florid and exiled beauty. One sees beyond their local theology to the passion of a great suffering artist. Here are sentences that express the Paradise, the Purgatory, and the Hell of John Donne's soul. A noble |
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