The Art of Letters by Robert Lynd
page 7 of 258 (02%)
page 7 of 258 (02%)
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There we drank and laughed [he relates], and she willingly suffered me to put my hand in her bosom very wantonly, and keep it there long. Which methought was very strange, and I looked upon myself as a man mightily deceived in a lady, for I could not have thought she could have suffered it by her former discourse with me; so modest she seemed and I know not what. It is a sad world for idealists. Mr. Pepys's Puritanism, however, was something less than Mr. Pepys. It was but a pair of creaking Sunday boots on the feet of a pagan. Mr. Pepys was an appreciator of life to a degree that not many Englishmen have been since Chaucer. He was a walking appetite. And not an entirely ignoble appetite either. He reminds one in some respects of the poet in Browning's "How it strikes a Contemporary," save that he had more worldly success. One fancies him with the same inquisitive ferrule on the end of his stick, the same "scrutinizing hat," the same eye for the bookstall and "the man who slices lemon into drink." "If any cursed a woman, he took note." Browning's poet, however, apparently "took note" on behalf of a higher power. It is difficult to imagine Mr. Pepys sending his Diary to the address of the Recording Angel. Rather, the Diary is the soliloquy of an egoist, disinterested and daring as a bad boy's reverie over the fire. Nearly all those who have written about Pepys are perplexed by the question whether Pepys wrote his Diary with a view to its ultimate publication. This seems to me to betray some ignorance of the working of the human mind. Those who find one of the world's puzzles in the fact that Mr. Pepys |
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