Edward MacDowell by Elizabeth Fry Page
page 18 of 36 (50%)
page 18 of 36 (50%)
![]() | ![]() |
|
countless interruptions, to give the matter a thought, and she had
never been known to forget such a promise. Pegasus neighed reassuringly, and seizing the stub of a pencil attached to the grocer's book, after a moment of concentration, in which she closed her eyes to shut out the material vision before her, she scribbled rapidly on a few blank pages in the back of the plebeian record. After several readings of the lines and sundry interlined revisions, she tore out the sheets, blessed Pegasus for coming in under the wire so nobly, and hurried away to dress. At the appointed time, sheepishly trying to conceal her unpoetic manuscript, which there had been no time to copy, behind a lace fan, she arose, flushed but sustaining her reputation for reliability as a programme feature. 'Twas for like-conditioned people, aspiring to work out their dreams in words, tones, color or clay in congenial surroundings, undisturbed by any domestic or other distraction or inharmony, that Edward MacDowell conceived the idea now being carried out at Peterboro, New Hampshire. The plan was not to provide a rest-cure or moderate-priced summer home for broken-down musicians, artists and writers, as many seem to think, but to give those at the very height of their productiveness a chance for undisturbed work, under the inspiration of nature in her most alluring guise, and association, after work hours, with such rare souls as could arouse higher aspiration by thought interchange and comparison of ideals. Ask the average workman along any artistic line what he would rather have than anything else and he is very sure to tell you, "Leisure for |
|