the fanciful style of the Norwegian, one often hears MacDowell accused
of being merely capricious. But what is caprice?

Bishop Trench reminds us in his famous treatise that the word is
derived from _capra_, "a goat," and represents, in a picturesque
manner, a mental movement as unaccountable, as little to be calculated
on beforehand, as the springs and bounds of that whimsical animal.

The work of MacDowell certainly has the characteristic vigor and
vividness, the unstudied activity, the unexpected leaps and springs
that the derivation of the word "caprice" suggests. And, if one cares
for mysticism, it is interesting to know that according to the
teachings of the ancient science of astrology, which is having a
considerable revival at present, the composer is entitled to
unconventional methods and an unusual combination of qualities, as he
was born on the cusp between the zodiacal signs of Sagittarius and
Capricornus. The latter sign produces people who will work well
independently, but are very restless when under orders or hampered by
rules and regulations. They love freedom, are fine entertainers, have
little self-esteem, are inclined to be either on the heights or in the
depths, are excellent musicians and lovers of harmony and beauty. They
are often victims of over-work because of the determination to make a
brilliant success of what they undertake and of their lack of judgment
in regard to their powers of endurance. Sagittarius people are
characterized by directness of speech and act. They are of varied
talents, very musical and turn naturally to the spiritual side of
life. They belong to the prophetic realm and see wonderful visions,
but are no idle dreamers, being always mentally and physically active.
Whatever there may be in the science of astrology, one who is familiar
with the life and character of Edward MacDowell cannot fail to be