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The Land of Footprints by Stewart Edward White
page 77 of 340 (22%)
or recreation. It was really quite a feat. Just at dusk, after
two hours of gabbling, he would reach the end of his contracted
number. With final relieved chirp he ended.

It has been said that African birds are "songless." This is a
careless statement that can easily be read to mean that African
birds are silent. The writer evidently must have had in mind as a
criterion some of our own or the English great feathered
soloists. Certainly the African jungle seems to produce no
individual performers as sustained as our own bob-o-link, our
hermit thrush, or even our common robin. But the African birds
are vocal enough, for all that. Some of them have a richness and
depth of timbre perhaps unequalled elsewhere. Of such is the
chime-bird with his deep double note; or the bell-bird tolling
like a cathedral in the blackness of the forest; or the bottle
bird that apparently pours gurgling liquid gold from a silver
jug. As the jungle is exceedingly populous of these feathered
specialists, it follows that the early morning chorus is
wonderful. Africa may not possess the soloists, but its full
orchestrial effects are superb.

Naturally under the equator one expects and demands the "gorgeous
tropical plumage" of the books. He is not disappointed. The
sun-birds of fifty odd species, the brilliant blue starlings, the
various parrots, the variegated hornbills, the widower-birds, and
dozens of others whose names would mean nothing flash here and
there in the shadow and in the open. With them are hundreds of
quiet little bodies just as interesting to one who likes birds.
>From the trees and bushes hang pear-shaped nests plaited
beautifully of long grasses, hard and smooth as hand-made
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